2026 Competition for Colorado Singers
Welcome to the Home Page of the 2026 Denver Lyric Opera Guild Competition for Colorado Singers!
Watch this space for details and dates on the DLOG 2026 Competition for Colorado Singers.
Preliminary round March 7, 2026
Location – Calvary Baptist Church, 6500 E. Girard Avenue, Denver, CO 80224 – Free and Open to the Public
The Competition first round is a full-day of performance. The Preliminaries are free and open to the public. Come and go as you please.
Saturday, March 21, 2026 1pm – 5pm MT: Competition for Colorado Singers Finals and Livestream
Location – Calvary Baptist Church, 6500 E. Girard Avenue, Denver, CO 80224 – Free and Open to the Public
The Competition final round will consist of in-person performance at Calvary Baptist along with a Livestream available at our YouTube stream.
Click Here to Watch the 2025 Competition Livestream!
Master Class to be conducted by world renowned stage director Vera Lúcia Calábria

Vera Lúcia Calábria
Stage director, dramatic coach, and arts administrator Vera Lúcia Calábria has over 30 years of experience in opera and classical music. Born in Brazil, she began at the Bayerische Staatsoper Munich and later at San Francisco Opera as assistant to Jean-Pierre Ponnelle. Productions staged for San Francisco Opera include Carmen, Cavalleria rusticana/Pagliacci, La forza del Destino, Der fliegende Holländer, and Falstaff. Other credits include Madama Butterfly in Strasbourg and Cologne, Manon in Vienna, Munich, and at the Metropolitan Opera, Parsifal in Barcelona, Falstaff in Chicago, Tosca in Montpellier, Tannhäuser in Honolulu, and Carmen in Zurich, Cologne, Chicago, and Tel Aviv.
She now divides her time between stage productions and work with young singers as director and dramatic coach. Productions include La Finta Giardinera and L’Enfant et les Sortilèges/L’Heure Espagnole at UCLA, Der fliegende Holländer, Idomeneo and Aida at Los Angeles Opera, Il Barbiere di Siviglia at San Francisco Opera Center, and Cavalleria/Pagliacci at San Francisco Opera, The Queen of Spades at the Teatro Real, Madrid (Spain), Il Barbiere di Siviglia at Opera Indianapolis, La Canterina, Gigantes y Cabezudos, The Pirates of Penzance, The Magic Flute, and L’Enfant et les Sortilèges at CSULA, L’Enfant et les Sortilèges, Così fan tutte and Don Giovanni at CSUF, Der Rosenkavalier at Israeli Opera, Bluebeard’s Castle / L’Heure Espagnole, The Bear / La Navarraise, and The Rape of Lucretia at Yale University, Le Nozze di Figaro at the Shubert Theatre in New Haven, and all three of Mozart’s da Ponte Operas at Rice University.
In addition to her work as stage director, she has conducted master classes and workshops on Commedia dell’Arte in opera at CSULA, UC Santa Barbara, and UCLA among others. Her work as dramatic coach on role interpretation took her to Israeli Opera and the Staatsoper Berlin’s Young Artist Program, to Pepperdine University’s Songfest, the Wagner Theatre Program in New York, to LA Opera’s Domingo-Thornton Young Artist Program, and the Metropolitan Opera’s Lindeman Young Artist Development Program. In 2014 she started working with a private studio focused on High School age singers, and these students have begun to excel in competitions. She was also a member of the CSU Fullerton faculty for 5 years, teaching Performance Technique and directing.
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“One of the first competitions I participated in was Denver Lyric Opera Guild. Through the encouragement and feedback of the visiting judges and financial support of the Guild, I had the means to continue to pursue my “opera addiction.” As young artists, we encounter so many hardships, disappointments and setbacks. But because of DLOG, when these blows came down, I still had the means and encouragement to push through.”